Sunday, November 15, 2009

The Art of Black and White....

I have always found that my eye is drawn towards colors. A brilliant blue draws me like a moth to a flame every time, and I find that I am very sensitive to even the slightest changes in color warmth or coolness that one experiences with light at various times of day. What I've found to be a complete and total challenge for me though, is to see in Black and White! As I am out and about, a camera around my neck and a spare on my hip, I take in the world around me. I see photographs and composition, I see what I want to capture, I see details and shapes that are distinct, and as I put the camera to my eye, I know what I have to do to make it happen. Yet, when it comes to black and white, I can't help but admit I am completely lost. You see, color photography is about light, colors, and composition. Black and white on the other hand is about contrast, lines, and shapes. You can have a green and a red object stand out brilliantly against each other in a color photo, and yet in a black and white, it all just becomes a mess of gray. For a true brilliant black and white, one needs a definitive white point, a definitive black point, and a full range of grays in addition to things like composition and subject.



What I've found is that Digital Photography affords me the luxury of post production. Thanks to the marvel of Photoshop, Lightroom, and Bridge, I can now shoot as I always have, but when a special image pops out that deserves to be black and white, I now no longer have to rue the missed opprotunity.

I love the way people look in black and white. The gentle shades and tones can really bring a persons focus out in a way that colors might dramatically change. This shot was taken during a Stand Easy Concert and to me, it shows better then any other image I captured that night, just how passionate this guest singer was about the music.




As smooth and gradual as that one is, sometimes I prefer to showcase the strength of the lines and details in the photo of the person. I find this is especially true with action/fire shots. The uniform, the helmet, the tools, they all provide such sharp symmetry and details.





It's not limited to just people though, Animals and Flowers can also really take on a whole different look in black and white. This flower shot is almost alien in its sweeping lines.




And this K9 Search and Rescue dog's fur takes on such detail that blends together in color.



It seems sort of cliché, but some of the ones that leap out at me the most are of course, LAPD Black and whites.




The contrast inherent in the paint schemes, plus the Officers standing beside the vehicle in the second one just struck me as bland in color, but really seemed to leap out in black and white. The second one especially is a perfect example of a shot that just screamed at me to be black and white just like this next one did. The detail and reflection were something I just didn't see at all when I shot it. I was just trying for a quick snapshot of the sticker for a modeler who emailed me. It wasn't until I loaded it in lightroom that I finally saw what I didn't see in person



Now, Police vehicles aren't the only ones to get the black and white treatment. When I saw this shot of LACoFD S8 and E8 on a medical aid, I knew that color couldn't bring out what black and white could. Same with the Dozer picture below. In both images, you see how black and white can set the mood and bring out certain details that just are so different then in a color image.




It was at Walt Disney World with my dear friend Lisa that I think black and white truly struck me. For the first time, I was seeing things not just for the details of B&W, but also the specialness of the InfraRed look on structures and objects.

These two images of the Haunted Mansion and a display inside of the Pirates of the Carribean are some of my all time favorite black and white photos in my collection. It was such a perfect and beautiful day when Lisa and I were there. In color, the haunted mansion looked no different then a Dominos pizza place on the corner to be blunt. I sat and stared at this image, knowing it wasn't what I saw and it wasn't what I felt when confronted with the Disney Magic in person. I knew there was a photo there, I KNEW there was something special in front of me. I think the results speak for themselves with both images that there truly was something there and something special that only black and white could express.




Also at POTC, I did a lot of water work shots just because the park is filled with so many waterfalls, fountains and such. As great as color is, it was only when I removed the color from this fountain that the softness and the detail popped out in a dramatic way. The swirls and the movement became more important then just the colors of the rocks and the water.



This next shot is of the holiday decorations they had up around the park. When converted to an IR filter, the starkness and contrast really stands out giving it a pop that the white on a hazy sky background didn't have. It's almost twlight zone-ish.



And finally, a serendipity shot. I really don't remember what the hell I was shooting, or even why when I took this. I won't lie. For all I know, I could have just hit the button by accident. When I looked at the image later though, I fell in love with it. Standing in line at the haunted mansion, they have this intricate pattern on the ground, that with the other elements in the photo just really popped out at me. It's always like opening a birthday present when I edit pics, I just never really know what to expect or what I'll find!




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